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ID no. of Specific Copy

BITAGAP cnum 5192
Uniform Title IDno, Author and Title texid 3721
Alfonso X, Rei de Leão e Castela. “A Madre do que livrou [Mettmann 4]”
Date escrito/a 1250 ca. - 1282 ca.
City, library, collection, & call number San Lorenzo de El Escorial: Real Biblioteca del Real Monasterio de San Lorenzo de El Escorial, T. I. 1 [Códice Rico] [MS T]
Copied 1250 ? - 1300 ?
1271 ad quo (Ferreira)
1272 - 1278 (Chico Picaza)
Location in witness ff. 8v-9r
Incipits & Explicits in witness texto: A Madre do que liurou
glosa: En Beorges un Judeu
Poetic Stanza 1 x 4, 11 x 9
References (Most recent first) Russakoff (2021), “Contested Sites, Sacred Spaces: The Role of Architecture in Some Marian Miracle Illustrations”, Literature is Comparative: Toute littérature est littérature comparée. Études de littérature et de linguistique offerts à Roy Rosenstein par ses collègues, ses disciples et ses amis 501-02
Edição em: Cunningham (2017), Sixteen Cantigas de Santa María with Dotted Rhythm 137-39
Falk (2017), “Assaults on the Faith: Imagining Jews and Creating Christians in the Late Middle Ages”, 25, 139, 299
Costa et al. (2014), “Cantigas de Santa Maria de Afonso X: análise comparativa entre texto e imagem da cantiga 04”, Translatio Studii: Problematizando a Idade Média 25-36
Lipton (2014), Dark Mirror: The Medieval Origins of Anti-Jewish Iconography 207-09, 214-16, 230
Patton (2012), Art of Estrangement: Redefining Jews in Reconquest Spain 94 (fig. 52)
Prado-Vilar (2011), “Iudeus sacer: Life, Law, and Identity in the ‘State of Exception' Called ‘Marian Miracle'”, Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism 129-33
Montoya Martínez (1998), “Verso largo o verso corto? Algunas consecuencias de la puntuación de las Cantigas de Santa María”, Bulletin of the Cantigueiros de Santa Maria 10:72-73
Dantas et al. (2017-01-15), Um Judeuzinho salvo pela Virgem
Note Min., f. 9v
Record Status Created 1989-05-21
Updated 2021-05-11