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Work ID number BITAGAP texid 3763
Authors Alfonso X, Rei de Leão e Castela
Incipit & Explicits texto: Porque hajam de ser [Mettmann 46]
Date / Place escrito/a 1250 ca. - 1282 ca.
Text Type: Poesia
References (most recent first) Pittaway (2018-07-12), Surprising songs of sentient statues: the Virgin, Venus, and Jason and the Argonauts (Cantigas de Santa Maria article 6/6)
Pittaway (2018-05-22), 'Infidels', 'traitors' and 'that ugly bearded crew': fear and loathing in the Cantigas de Santa Maria (CSM article 5/6)
Pittaway (2017-10-19), 'Why do you not praise her?': the Virgin Mary and the troubadours (Cantigas de Santa Maria article 1/6)
Holt (2015), “Cantigas de Santa María, Cantigas de Cruzada: Reflections of Crusading Spirituality in Alfonso X's Cantigas de Santa María”, Al-Masaq 27:223-24
Patton (2012), Art of Estrangement: Redefining Jews in Reconquest Spain 121 e 124 (fig. 64)
Gutiérrez Baños (2011), “Pintura monumental en tiempos del Códice Rico de las Cantigas de Santa María”, Las Cantigas de Santa María: Códice Rico, Ms. T-I-1, Real Biblioteca del Monasterio de San Lorenzo de El Escorial [Estudios]
Montero (2011), “Visions of the Lewd: The Latent Presence of the Cantigas de escarnio in the Miniatures of the Cantigas de Santa Maria”, Revista de Estudios Hispánicos 45:116-17
Dodds (2008), “Hunting in the Borderlands (for Oleg Grabar)”, Medieval Encounters 14:284-85
Castro (2005), As cantigas de Santa Maria: um estilo gótico na lírica ibérica medieval
Parkinson (2005), Centre for the Study of the Cantigas de Santa Maria of Oxford University: Poem List , n. 46
Prado-Vilar (2005), “The Gothic Anamorphic Gaze: Regarding the Worth of Others”, Under the Influence: Questioning the Comparative in Medieval Castile 67-71, 73-74
Fournès (2004), “La figure mariale du Códice Rico (Castille, XIII siècle): de l'image a l'icône”, Sociocriticism 19-20:290-91
Jackson (2002), “Saint and Simulacra: Images of the Virgin in the Cantigas de Santa María of Alfonso X of Castile (1252-1284)”,
Domínguez Rodríguez (1998-99), “El Arte de la construcción y otras técnicas artísticas en la miniatura de Alfonso X el Sabio”, Alcanate. Revista de Estudios Alfonsíes
Marullo (1934), “Osservazioni sulle Cantigas di Alfonso X e sui Miracles di Gautier de Coincy”, Archivum Romanicum
Dexter (1926), “Sources of the Cantigas of Alfonso el Sabio”,
Subject Ultramar (Região)
Poesia - Incipit
Poesia - Até 1351 - Religiosa - Cantigas de Santa Maria
Mouros - Árabes - Muçulmanos
Number of Witnesses 4
ID no. of Witness 1 cnum 5318
City, library, collection & call number San Lorenzo de El Escorial: Real Biblioteca del Real Monasterio de San Lorenzo de El Escorial, T. I. 1 [Códice Rico] [MS T] (BITAGAP manid 1090)
Copied 1250 ? - 1300 ?
1271 ad quo (Ferreira)
1272 - 1278 (Chico Picaza)
Location in witness ff. 67v-68r
Title(s) Alfonso X, Rei de Leão e Castela, “Porque hajam de ser [Mettmann 46]”, escrito/a 1250 ca. - 1282 ca.
Incipit & Explicits texto: POr que aian de seer
glosa: E Dest'auẽo assi
Poetic Stanza 1 x 4, 8 x 12
References Patton (2012), Art of Estrangement: Redefining Jews in Reconquest Spain 121 e 124 (fig. 64)
Prado-Vilar (2011), “Iudeus sacer: Life, Law, and Identity in the ‘State of Exception' Called ‘Marian Miracle'”, Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism 126
Montero (2011), “Visions of the Lewd: The Latent Presence of the Cantigas de escarnio in the Miniatures of the Cantigas de Santa Maria”, Revista de Estudios Hispánicos 45:116-17
Prado-Vilar (2005), “The Gothic Anamorphic Gaze: Regarding the Worth of Others”, Under the Influence: Questioning the Comparative in Medieval Castile 67-71, 73-74
Ellis (2003), “Textual-pictorial convention as politics in the 'Cantigas de Santa María" (MS. Escorial T.I.1) of Alfonso X el Sabio”, 152
Note Min., f. 68v
ID no. of Witness 2 cnum 5317
City, library, collection & call number San Lorenzo de El Escorial: Real Biblioteca del Real Monasterio de San Lorenzo de El Escorial, B. I. 2 [Códice de los Músicos] [MS E] (BITAGAP manid 1087)
Copied Iohannes Gundisalvi ?, 1252 - 1300
1281 ad quo (Ferreira)
1272 - 1283 (Chico Picaza)
Location in witness ff. 68r-69r
Title(s) Alfonso X, Rei de Leão e Castela, “Porque hajam de ser [Mettmann 46]”, escrito/a 1250 ca. - 1282 ca.
Incipit & Explicits texto: POr que aian de seer
glosa: E dest'auẽo assi
Poetic Stanza 1 x 4, 8 x 12
References Alfonso X et al. (1959-72), Cantigas de Santa Maria 1:134-36 , n. 46
ID no. of Witness 3 cnum 5319
City, library, collection & call number Madrid: Biblioteca Nacional de España, MSS/10069 [MS To] (BITAGAP manid 1067)
Copied 1264 ? - 1276 ? (Ferreira)
Location in witness ff. 78v-79v
Title(s) Alfonso X, Rei de Leão e Castela, “Porque hajam de ser [Mettmann 46]”, escrito/a 1250 ca. - 1282 ca.
Incipit & Explicits texto: Porque aian de seer
glosa: E dest' aueo assi
Poetic Stanza 1 x 4, 8 x 12
ID no. of Witness 4 cnum 11320
City, library, collection & call number Madrid: Biblioteca Nacional de España, MSS/13055 (BITAGAP manid 1800)
Copied Toledo: Francisco Javier de Santiago y Palomares, 1755 ca.
Location in witness ff. 144v-146v
Title(s) Alfonso X, Rei de Leão e Castela, “Porque hajam de ser [Mettmann 46]”, escrito/a 1250 ca. - 1282 ca.
Incipit & Explicits texto: Porque aian de seer
glosa: E dest'aveno assi
Poetic Stanza 1 x 4, 8 x 12
Record Status Created 1989-05-28
Updated 2019-05-09