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ID no. of Specific Copy |
BITAGAP cnum 5678 |
Uniform Title IDno, Author and Title | texid 3921 Alfonso X, Rei de Leão e Castela. “Loar devemos a que sempre faz [Mettmann 170]” |
Date | escrito/a 1250 ca. - 1282 ca. |
City, library, collection, & call number | San Lorenzo de El Escorial: Real Biblioteca del Real Monasterio de San Lorenzo de El Escorial, B. I. 2 [Códice de los Músicos] [MS E] | Olim IV. E. 5 | Olim j.b.2 |
Copied | Iohannes Gundisalvi ?, 1252 - 1300 1281 ad quo (Ferreira) 1272 - 1283 (Chico Picaza) |
Location in witness | f. 162r-162v |
Incipits & Explicits in witness | texto: Loar deuemos a que sempre faz glosa: Esta e madre de nostro sennor |
Poetic Stanza | 1 x 2, 5 x 6 |
References (Most recent first) | Taylor (2013), “El laúd en la Península Ibérica: símbolo del cuerpo y sentimiento humano”, Los sonidos de la lírica medieval
hispánica 458-59 Wishart (1992), “Echoes of the past in the present. Surviving traditional instruments and performance practices as a source for performers of medieval secular monody”, Companion to Medieval and Renaissance Music 211 Falvy (1977), “Bölcs Alfonz cantigáinak hangszerábrázolásairól”, Magyar Zene Alfonso X et al. (1959-72), Cantigas de Santa Maria 2:177 , n. 170 |
Record Status |
Created 1989-06-02 Updated 2017-04-10 |